I’m a French-British portrait and intimate documentary photographer whose practice explores emotional truth, embodied experience, and the politics of representation. Through photography, I give visual form to feelings and experiences that are often underrepresented, dismissed, silenced, or kept private, including pain, love, grief, trauma, vulnerability, freedom, joy, nostalgia, and attachment.

With a particular focus on women and non-binary experiences, my work enters emotional and physical spaces where identity is shaped, challenged, exposed, and reclaimed. I spend time with the people I photograph, becoming part of their domestic and personal environments and building the trust that allows intimate images to emerge. This may mean standing beside a new mother feeding her baby at 3am, witnessing a person living through an endometriosis flare-up, photographing a performer in the process of becoming her clown, working with women rebuilding the relationship with their body after trauma, or documenting someone’s attachment to a family home before it is sold.

These encounters are built through care, attention, and mutual vulnerability.

My background in advertising has shaped my understanding of how images influence desire, identity, and social imagination. In my photographic practice, I use this awareness critically, working against unrealistic, idealised representations of women’s and non-binary lives. I aim to create images that feel honest, complex, and alive, making space for bodies, emotions, and stories that are too often excluded from dominant visual culture.

I see photography as a form of encounter that can shift how people understand themselves and how others learn to see them. For the people I photograph, the process can become an act of recognition, allowing parts of their bodies, histories, desires, pain, or freedom to be seen without shame or simplification. For viewers, my work opens a space of emotional proximity, inviting them into experiences that are often hidden, misunderstood, or visually erased. By encountering the intimate realities of others, viewers may recognise something of themselves, or develop a deeper compassion for forms of pain, desire, vulnerability, joy, and freedom that are profoundly human.

PRIZES

- Taylor Wessing Portrait Prize, 2025, finalist/exhibitor for ‘In The Agony Hole’ from the series The Pain Fugue.

- PhotoMonth, 2025, finalist/exhibitor for the series The Pain Fugue.

- Portrait of Britain, 2026, finalist/exhibitor for ‘The Venus of Pain’ from the series The Pain Fugue.

- Royal Photographic Society 'International Photography Exhibition 167’ (RPS IPE), 2026, shortlisted for the series The Pain Fugue on Augustine.

EXHIBITIONS

- National Portrait Gallery, London UK for the Taylor Wessing Portrait Prize, 2025-2026

- Art Pavilion, Mile End, UK for PhotoMonth, 2026

- Millenium Gallery, Sheffield, UK for the Taylor Wessing Portrait Prize, 2026

- Nationwide photography exhibition by the British Journal of Photography in partnership with JC Decaux, UK, 2026

PUBLICATIONS

- National Portrait Gallery, Taylor Wessing Photo Portrait Prize 2025 Catalogue

- Portrait of Britain, vol.8, BlueCoat press, 2026.